In midst of a midlife crisis, a film director recounts with wit and humor his turbulent life using 16mm films shot over one century by other filmmakers, anonymous or amateurs, that he collected for 30 years.
Irfan, an innocent man with an ordinary life, is portrayed as the evil incarnated by media trials. Is there a journey back to normal life for a man accused of terrorism? Is there more to Irfan than what meets the eye?